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Blackmagic URSA Cine 17K 65 + EVF

Code: NMA/CINEURSAA17K65EVF

Available for Pre-Order

$46,855.00

Blackmagic URSA Cine 17K is a revolutionary new digital film camera that introduces new advanced technologies with total integration includng a new large format 65mm format RGBW 17520 x 8040 sensor with larger photo-sites for 16 stops of dynamic range, interchangeable PL, LPL and Hasselblad lens mounts, and industry standard Lemo and Fischer connections.

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What's In The Box?

  • URSA Cine 12K LF camera with PL lens mount
  • Media Module 8TB
  • Media Module Case
  • URSA Cine Handle and bolts
  • URSA Cine Top Rod Mount
  • URSA Cine Baseplate 19
  • URSA Cine Battery Plate B Mount
  • URSA Cine Rubber Caps for connectors
  • URSA Cine WiFi antennas
  • URSA Cine Mount EF and mount screws
  • URSA Cine 24V 250W power supply
  • EF Body Cap
  • PL Body Cap
  • Plastic folding screen hood for 5” LCD
  • URSA Cine EVF
  • URSA Cine EVF Rotating bracket w/19mm rod
  • URSA Cine EVF Bracket rod mount
  • URSA Cine EVF Extension
  • 2x short carbon fibre 15mm rods
  • 1x long USB viewfinder cable. R/A-straight
  • 1x short USB viewfinder cable. R/A-straight
  • 1x short USB viewfinder cable. R/A-R/A
  • Rubber eyecup
  • Fabric eye chamois
  • DaVinci Resolve Studio with activation key
  • Welcome wallet with QR code for software
  • Pelican 1560 Case with custom foam
  • Blackmagic URSA Cine 17K is a revolutionary new digital film camera that introduces new advanced technologies with total integration includng a new large format 65mm format RGBW 17520 x 8040 sensor with larger photo-sites for 16 stops of dynamic range, interchangeable PL, LPL and Hasselblad lens mounts, and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 17K comes with 8TB of high performance storage built in and also includes high speed networking for media upload and syncing to Blackmagic Cloud.

    URSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on the technology of URSA Mini Pro 17K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility.

    URSA Cine is designed to meet the demands of any high end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set. Standard Lemo and Fischer connectors let customers control the camera remotely while providing power for lens motors and other accessories. Customers also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more.

    Different projects require different lenses which is why URSA Cine features an interchangeable lens mount. Customers can quickly switch between PL, LPL, EF and Hasselblad mounts. Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production.

    URSA Cine lets crews work faster on set with multiple monitoring options. The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. There’s even a dedicated focus puller’s mode to help customers get perfect focus.


    The wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories.

    Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing customers to capture over 4 hours of Blackmagic RAW in 17K or a massive 20 hours in 4K.

    URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.

    URSA Cine is the first digital film camera with ultra fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. The high speed storage lets customers record at the highest resolutions and frame rates for hours and access their files directly over high speed 10G Ethernet. Or customers can use the media customers already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots.

    Blackmagic Media Dock accelerates post production workflow by making it faster and simpler to start editing and color correction. Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time. The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time.

    URSA Cine supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so their media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible.

    Now customers can live stream from film sets. URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high speed wifi or even connect a 4G or 5G phone for mobile data.

    URSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy. Customers get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures customers get perfect viewfinder focus setup.

    URSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so customers can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more.

    URSA Cine comes with everything customers need to get started on set. Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus customers get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. Customers even get a massive 8TB Media Module preinstalled, formatted and ready to record.

    Specifications
    Effective Sensor Size 35.64mm x 23.32mm (Large Format)
    Lens Mount PL mount. Interchangeable with URSA Cine lockable EF mount included.
    Lens Control Lens control of compatible EF lenses. Lens data from compatible PL lenses and control of some PL lenses.
    Dynamic Range 16 Stops
    Shooting Resolutions 12,288 x 8040 (12K 3:2 open gate)
    12,288 x 6480 (12K 16:9)
    12,288 x 6912 (12K 17:9)
    12,288 x 5112 (12K 2.4:1)
    9648 x 8040 (12K 6:5)

    9408 x 6264 (9K 3:2)
    8688 x 4896 (9K 16:9)
    9312 x 4896 (9K 17:9)
    9312 x 3864 (9K 2.4:1)
    7680 x 6408 (9K 6:5)

    8192 x 5360 (8K 3:2 open gate)
    8192 x 4608 (8K 16:9)
    8192 x 4320 (8K 17:9)
    8192 x 3408 (8K 2.4:1)
    6432 x 5360 (8K 6:5)

    4096 x 2680 (4K 3:2 open gate)
    4096 x 2304 (4K 16:9)
    4096 x 2160 (4K 17:9)
    4096 x 1704 (4K 2.4:1)
    3216 x 2680 (4K 6:5)

    12,288 x 6480 (12K 16:9)
    12,288 x 6912 (12K 17:9)
    12,288 x 5112 (12K 2.4:1)
    9648 x 8040 (12K 6:5)

    9408 x 6264 (9K 3:2)
    8688 x 4896 (9K 16:9)
    9312 x 4896 (9K 17:9)
    9312 x 3864 (9K 2.4:1)
    7680 x 6408 (9K 6:5)

    8192 x 5360 (8K 3:2 open gate)
    8192 x 4608 (8K 16:9)
    8192 x 4320 (8K 17:9)
    8192 x 3408 (8K 2.4:1)
    6432 x 5360 (8K 6:5)

    4096 x 2680 (4K 3:2 open gate)
    4096 x 2304 (4K 16:9)
    4096 x 2160 (4K 17:9)
    4096 x 1704 (4K 2.4:1)
    3216 x 2680 (4K 6:5)
    Frame Rates Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.
    High Speed Frame Rates 12K 3:2 open gate up to 80 fps
    12K 17:9 up to 100 fps
    12K 2.4:1 up to 120 fps
    9K 3:2 Super 35 up to 100 fps
    8K / 4K 3:2 open gate up to 144 fps
    8K / 4K 2.4:1 up to 224 fps
    Built in ND Filters Button activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.
    Focus Focus button turns on peaking, auto focus available using compatible lenses.
    Iris Control Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.
    Screens 2 x Monitoring Screens
    1 x Camera Status Screen
    1 x Electronic Viewfinder
    Monitoring Screen Dimensions 5 inch.
    Monitoring Screen Resolution 1920px x 1080px
    Monitoring Screen Brightness 1500 nits.
    Monitoring Screen Type LCD capacitive touchscreen
    EVF Display Resolution Full 1920 x 1080.
    6.22 Million dots
    EVF Display Type OLED
    EVF Diopter Range -5 to +5
    Tally Live Tally Indicator on LCD, and URSA Cine EVF.
    Metadata Support Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
    Controls Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on URSA Cine EVF.
    Timecode Clock Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
    Connections
    Total Video Outputs 2
    SDI Rates 1.5G, 3G, 6G, 12G.
    Analog Audio Inputs 2 x XLR analog switchable between mic, line and AES audio. Phantom power support.
    Analog Audio Outputs 1 x 3.5mm headphone jack
    Reference Inputs Tri-Sync/Black Burst and Timecode.
    Viewfinder 1 x Viewfinder USB-C with power, data, video and locking connector.
    URSA Cine EVF 1 x USB-C with power, data, video and locking connector.
    Accessories 1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run/stop.
    1 x 3-pin Fischer ‘RS’ for power out and run/stop.
    Computer Interface 2 x USB Type-C side expansion ports for camera accessories.
    Software updates using rear side USB-C.
    Ethernet 1 x 10Gb/s RJ‑45 connector supporting 10/100/1000/10G BASE-T for Web Media Management, Blackmagic Cloud uploads, camera control and streaming.
    Audio
    Microphone Integrated stereo microphone.
    Built in Speaker 1 x mono speaker.
    Standards
    SD Video Standards None
    HD Video Standards 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
    Ultra HD Video Standards 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
    SDI Compliance SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
    SDI Audio Sampling 48 kHz and 24 bit
    Media
    Media 1 x Blackmagic Media Module.
    Media Format Blackmagic
    Supported Codecs
    Codecs Blackmagic RAW Constant Bitrate 3:1,
    Blackmagic RAW Constant Bitrate 5:1,
    Blackmagic RAW Constant Bitrate 8:1,
    Blackmagic RAW Constant Bitrate 12:1,
    Blackmagic RAW Constant Bitrate 18:1,
    Blackmagic RAW Constant Quality Q0,
    Blackmagic RAW Constant Quality Q1,
    Blackmagic RAW Constant Quality Q3,
    Blackmagic RAW Constant Quality Q5.

    H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
    Control
    External Control Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.
    Streaming
    Direct Streaming Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.
    Network Management
    NTP Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.
    FTP Download files from any drive attached to your camera using FTP.
    Web Media Manager Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.
    SMB File sharing using SMB
    Storage Features
    Storage Type 1 x Blackmagic Media Module 8TB
    Storage Rates Storage rates based on 24 frames per second.
    12K - 12,288 x 8040
    Blackmagic RAW 3:1 - 1,194 MB/s
    Blackmagic RAW 8:1 - 448 MB/s
    Blackmagic RAW 12:1 - 298 MB/s
    Blackmagic RAW 18:1 - 199 MB/s
    Blackmagic RAW Q0 - 298 to 1,432 MB/s
    Blackmagic RAW Q1 - 179 to 716 MB/s
    Blackmagic RAW Q3 - 119 to 298 MB/s
    Blackmagic RAW Q5 - 90 to 224 MB/s

    9K - 9408 x 6264
    Blackmagic RAW 3:1 - 713 MB/s
    Blackmagic RAW 8:1 - 268 MB/s
    Blackmagic RAW 12:1 - 178 MB/s
    Blackmagic RAW 18:1 - 119 MB/s
    Blackmagic RAW Q0 - 178 to 856 MB/s
    Blackmagic RAW Q1 - 107 to 428 MB/s
    Blackmagic RAW Q3 - 71 to 178 MB/s
    Blackmagic RAW Q5 - 54 to 134 MB/s

    8K - 8192 x 5360
    Blackmagic RAW 3:1 - 533 MB/s
    Blackmagic RAW 5:1 - 320 MB/s
    Blackmagic RAW 8:1 - 200 MB/s
    Blackmagic RAW 12:1 - 133 MB/s
    Blackmagic RAW Q0 - 133 to 319 MB/s
    Blackmagic RAW Q1 - 80 to 200 MB/s
    Blackmagic RAW Q3 - 53 to 133 MB/s
    Blackmagic RAW Q5 - 40 to 100 MB/s

    4K - 4096 x 2680
    Blackmagic RAW 3:1 - 135 MB/s
    Blackmagic RAW 4:1 - 101 MB/s
    Blackmagic RAW 5:1 - 81 MB/s
    Blackmagic RAW 6:1 - 68 MB/s
    Blackmagic RAW Q0 - 34 to 81 MB/s
    Blackmagic RAW Q1 - 20 to 50 MB/s
    Blackmagic RAW Q3 - 13 to 34 MB/s
    Blackmagic RAW Q5 - 10 to 25 MB/s
    Recording Formats Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
    [12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
    with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
    Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:
    [9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]
    with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
    Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
    [8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
    with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
    Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
    [4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
    with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
    Constant Quality Rates for 12K and 9K are:  Q0 12:1 - 2.5:1, Q1 20:1 - 5:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
    Constant Quality Rates for 8K and 4K are:  Q0 12:1 - 5:1, Q1 20:1 - 8:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
    Actual storage rates are dependent on image subject matter.
    Software
    Software Included URSA Cine Blackmagic OS
    DaVinci Resolve Studio for Mac and Windows including activation key
    Blackmagic Camera Setup
    Blackmagic RAW Player
    Blackmagic RAW QuickLook Plugin
    Blackmagic RAW SDK
    Operating Systems
    Mac 13.0 Ventura, Mac 14.0 Sonoma or later. Windows 10 and 11.
    Power Requirements
    Power Supply +24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket.
    Molex connector for rear battery plate.
    External Power Input 1 x 8 pin socket for external power or battery use.
    B-Mount battery plate.
    Power Output 1 x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply.
    1 x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply.
    B-Mount battery plate including 2-pin connector with +12V regulated output from camera.