TRIBE7 is a new company setup in partnership between Bradford Young ASC and Neil Fanthom formerly ARRI’s Director of Technology behind the DNA series of lenses for Alexa 65.
Purpose-designed for large format motion picture imaging, BLACKWING7 lenses from TRIBE7 represent an
entirely new range of tuned optics for contemporary film makers to use within their creative story telling.
BLACKWING7 optics exhibit unique imaging properties which arise from the introduction of controlled distortion
during the development and manufacturing processes. This distortion is modular and allows a level of tuneability
over key parameters which shape many creative characteristics of the lenses.
The lens range comprises ten focal lengths: a core set of seven plus three additional wide lenses. All lenses are
offered in three tuning options per focal length, configurable at point of manufacture.
BLACKWING7 lens tuning allows parameters such as sharpness, contrast, roll-off, spherical aberration, field
curvature, edge halation and flare to be modified to provide sets of “curated” optics to suit the personality and
intent of the owner.
Many of the design cues for BLACKWING7 primes originate in optics manufactured during the 1930 - 1960s, but
the real inspiration behind the lenses lies in the evolutionary nature of experimental music and audio synthesis,
and the process of creating distortion through sound amplification.
Conceptually, the ability to tune each BLACKWING7 lens is identical to how EQ adjustment is used in music
production - to control the range, or shape of tonality in specific bands across the audio frequency spectrum.
The image produced by a BLACKWING7 lens can be described as having a musical fidelity to it; with each focal
length having an underlying level of distortion which can be controlled to produce strong artistic resonances
including unique flaring characteristics.
Ten sets of BLACKWING7 BINARIES were created by TRIBE7 to help introduce the film making community to
the concept of audio merging into imaging. These limited-edition BINARIES are named in recognition of creative
imaging not being a black or white process – film makers accessing a wide choice of optics is essential to serve
creative storytelling. BLACKWING7 BINARIES have been widely used on commercials, music videos, TV and
feature productions and all feedback from these unique lenses has contributed to the production tuning of the
BLACKWING7 prime lenses which are now shipping.
S STRAIGHT Tuning
S-tune BLACKWING7 primes have a tuning profile
based on optical designs from the first half of the 20th
Century, such as the 1950 Wray UNILITE 50mm f/2.
S lenses have optical elements with multi-layer coatings
to help control the resonant flare characteristics seen
in the T and X variant BLACKWING7 primes. The more
advanced optical coating also allows a modest increase
in central image sharpness whilst maintaining a smooth
roll-off of contrast across the frame.
Lens Details
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17mm
•
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20.7mm
•
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23.7mm
•
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27mm
•
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37mm
•
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47mm
•
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57mm
•
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77mm
•
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107mm
•
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137mm
•
Hover over focal lengths to see detailed info.
Coming soon...
INSPIRATION
- 1980 LEICA 21mm f/2.8
- Retrofocus design
INSPIRATION
- 1950’s Retrofocus construction
- P. Angenieux Paris 24mm f/2.2 Retrofocus Type R2
"The 23.7mm has impressive coverage for large format. It has a clearness in the centre but also has a nice, slight fall off towards the edges that reminds me of the old glass I love."
- DARIUS KHONDJI AFC ASC, Cinematographer
INSPIRATION
- 1960’s Retrofocus construction
- Sigma WIDEMAX
- Asahi Super TAKUMAR
"The 27mm BLACKWING7 prime is truly cinematic. The skin color rendition and the fall-off are superb and the subtle softness of the lens is very pleasing on faces. I like the ‘distancing from reality’ that the BLACKWING7 lens creates."
- NICOLAS LOIR, Cinematographer
Tuning Details
The 27-S has the highest central sharpness of all BLACKWING7 S-variants, with good rectilinear imaging, low breathing and good field illumination. Contrast is higher than T and X, with less roll-off across the fame.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1950’s retrofocus construction
- R1 Angenieux 35mm f/2.5
"I used the 37 for a flashback memory sequence on the upcoming Brave New World show; I found the lens at T1.8 to be so magical, so painterly, so evocative and unique. BLACKWING7 lenses allow for total artistic expression in cinema.
"
- ANDRIJ PAREKH ASC, Cinematographer/Director
Tuning Details
The 37-S has tighter central contrast and a reduced resonant veiling flare characteristic compared to the 37-T BLACKWING7 prime. The overall look of the 37-S is similar to the 27-S and 47-T primes in the BLACKWING7 range.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1930’s – 1950’s retrofocus construction
- 1950 Wray UNILITE 50 mm f/2
- 1936 Kodak EKTAR 45 mm f/2
"The 47 proves to be way more than the sum of its parts. It speaks to the vision and philosophy of its creators, who championed a simplicity in design that shines through in the authenticity of the images it produces. The results speak for themselves; images from a lens that resolves beautifully and has a nuanced gentle fall off to a creamy bokeh. And most importantly performs best wide open. So impressive."
- BEN SERESIN BSC ASC, Cinematographer
Tuning Details
The 47-S is the workhorse BLACKWING7 focal length for large format 35mm capture, with good central contrast and well controlled flare.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1940’s Biotar construction
- Asahi TAKUMAR 55mm f/1.8
"There is something ethereal and dimensional about the 57 T tuned lens that has my mind thinking about glass in a whole new way. I find myself lighting and blocking setups conscientiously to embrace the flare and falloff of this lens. There have been entire days when the 57 never left our camera."
- DOUG EMMETT,
Cinematographer
Tuning Details
The 57-S has sharper central contrast and a reduced resonant pupil flare characteristic compared to the 57-T BLACKWING7 prime. The overall look of the 57-S is similar to the 77-S prime.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1950’s Double-Gauss construction
- Schneider XENOTAR
- Carl Zeiss BIOTAR
"These lenses, and the 77 in particular, offer image makers ‘atmospheric protection’. They counter the digital sharpness of big sensors (a sharpness that destroys suspension of disbelief) with a vision of pure story. Soft and vast and warm, all in one."
- ISAIAH SERET,
Director
Tuning Details
The 77-S is a pure medium format portrait lens - with good central contrast and definition wide open, reducing in sharpness and smoothly rolling off to the edge of the image. The 77-S has more controlled pupil flare than its 77-T counterpart.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1970’s BIOTAR / PETZVAL construction
- Hasselblad 110mm f/2 PLANAR
"BLACKWING7 lenses are a pleasure to work with and bring a level of richness like no others. The 107 has a strong and glamorous look, with those loopy magnetic flux flares that we love."
- CHRIS SILANO, First Assistant Cameraman (Lisey's Story)
Tuning Details
The 107-S has a characteristic similar to the 137-S BLACKWING7 prime, well protected under flare conditions and with higher central contrast. Though well and truly a telephoto focal length, wide open the lens has a subtle softness and retains the BLACKWING7 vintage 'look'.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |
INSPIRATION
- 1970’s BIOTAR / PETZVAL construction
- Leica M tele-ELMAR
"The 137mm BLACKWING7 prime focuses close and sharp, without being overly sharp. It delivers a really interesting reaction to a strong source light and is a lovely addition to this unique set of lenses."
- KAVON ELHAMI, President of CAMTEC - MOTION PICTURE CAMERA SYSTEMS
Tuning Details
The 137-S has good, but not high central sharpness despite its long focal length. In many ways the 137-S prime defies conventionality and has imaging properties unlike many other large format telephoto lenses.
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5 LP/MM
SAGITTAL |
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5 LP/MM
TANGENTIAL |
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10 LP/MM
SAGITTAL |
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TANGENTIAL |
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20 LP/MM
SAGITTAL |
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20 LP/MM
TANGENTIAL |