Everything you’d expect from a Ninja, but designed to be your gateway to the cloud. Perfect for mirrorless and cinematic cameras.
There are two ways to use Ninja Ultra. On its own, it’s the most powerful Ninja ever. Add the affordable Atomos Connect, and it’s a gateway to amazingly fast and productive cloud workflows like camera to cloud and Atomos Edit. You can even edit your project in the cloud and publish to social media within minutes of shooting the action. Choose Ninja Ultra if you’re not ready for the cloud quite yet. And if you want to get started with cloud workflows, Ninja Ultra and Connect is the perfect combination.
Workflow
Connect brings essential network and SDI connectivity to Ninja Ultra and introduces you to super-efficient cloud workflows. It fits snugly to the rear of the Ninja Ultra, letting you connect to SDI cameras, convert from SDI input to HDMI output and use WiFi 6E and 1GbE Ethernet. It comes with AirGlu wireless synchronization and supports AtomRemote App. It’s the most practical and affordable way to stream, transfer and edit in the cloud.
Record ProRes
Record full-quality files in ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265. It’s the best of both worlds. Boost your productivity by storing your definitive copy in ProRes RAW ready for your post-production workflow, and use your H.265 copy for your camera to cloud activities. Automatic matching filenames, timecode and record trigger from ARRI, Canon, and RED cameras.
File System
Previously, camera to cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon and RED, Atomos C2C files are matched back to the original in-camera (OCF) filenames. This gives a joined-up process when conforming C2C or SSD proxy files in the edit with camera files. On camera or on Atomos: it’s your choice.
Cloud Compatible
The new 4K camera to cloud mode lets you record and upload much higher quality H.265 video with higher framerates. H.265 files are half the size of H.264 media. They’re small enough for camera to cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering. It’s the fastest way to get your video in front of your viewers (requires ACS subscription). Also a super useful mode to record proxies at up to 4K 60p to match a original in-camera (OCF) file.
What’s new, at a glance.
Brand New OS
New AtomOS 11 - faster, with more features
More Codecs Included
8K ProRes RAW, ProRes, DNxHD & H.265 - all for free
Dual Record
Dual 4Kp60 ProRes RAW & proxy recording for Cloud
4K H.265 Recording
Record & upload high bitrate 4K files to the Cloud
SDI Cine
Auto matched filenames from ARRI, Canon & RED cameras
Wi-Fi 6E
The best. Faster, lower latency, more stable connection
RemoteView
Share live views from your screen over the internet
Superb Monitoring Tools
Now with EL Zone exposure and ARRI false color
Premium Options
NDI 4K TX
Atomos Care360
Premium extended warranty that covers unforeseen damage
Requires Atomos Connect. Sold Separately.
Low Latency
With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.
Wireless
Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.
The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment
Time-lapse
Set up time-lapse recording and control it from your Ninja Ultra, completely independent of your camera’s controls. Use the Ninja Ultra’s screen for accurate visual alignment and its massive removable storage for longer projects.
Set a time for your recording to start. It’s ideal for covering pre-arranged events when you need to be somewhere else. If you have several Ninjas, you can even record in multiple locations simultaneously. It’s also a safer way to cover dangerous locations without risk to you and your colleagues. Finally, it’s perfect for wildlife shooting. Want to capture the action by the riverbank at sunset? Just dial-in the time and come back later.